Best Countdown 2008 G July 8, 2008
Posted by Die in Specials.Tags: Ami Suzuki, Ayumi Hamasaki, BoA, Kana Nishino, Kanon Wakeshima, Koda Kumi, Leah Dizon, melody., mihimaru GT, Namie Amuro, Perfume, Tamaki Nami, Utada Hikaru, YUI
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Welcome to the first of hopefully many Best Countdowns. Here is just a little page that’ll include a few events and news of what’s happened this year, well this first half anyway. But the main purpose is for the whole Best Of… in this case it’s the Best Of the 1st Half of 08 but for writing purposes, it’d be known as Best Countdown 2008 G. The first half will contain the Best Of, while the second half will include some new blog stats. And without delay, let me begin the Best Countdown 2008 G. *Note All Music is from January 1-June 30.
First & Foremost, the Best Singles!
Best Comeback Single!

60s70s80s – Namie Amuro
After a few years from fallen popularity Namie slowly worked her way back up to prominence. With the release of her latest album PLAY, Namie had suddenly gotten back in the game. With this newest single, Namie again got another no. 1 single, her first in nearly 10 years. Her popularity was reestablished after the release of this triple A-Side single. It’s currently one of the highest selling female singles to date in 2008. She’s now 30 but still singing in her prime, go Namie the Queen of Comebacks!
Best Scariest Single!

still doll – Kanon Wakeshima
No surprise here, this choice was quite obvious. This single by Kanon features classical instruments and disturbing background music. But then again it was produced by MANA, so what did you expect. Anyway, for a debut single this has caused quite a scare. And the title track was used in the new anime Vampire Knight, which is very good in my opinion. Here’s to Kanon, with one of the scariest singles ever.
Best Cute Single!

glowly days – Kana Nishino
Kana took me by surprise at first with her debut single I, and from there I fell in love with her. But it was her second single that really caught my eyes. Although she cannot sing in English that well she can sing, after a few lessons she should be better. But anyway the title track was so adorable, especially when she tries to sing in English. Dream glowly days, and think of a cute and so so sweet voice. Yay for Kana and she so cute single.
Best Anniversary Single!
Mirrorcle World – Ayumi Hamasaki
Seeing that no one else released an anniversary single, Ayumi was really the only candidate and choice. But this introduction turned full song turned single was quite the single. It was released in an incredible six editions, and featured a total of two brand new songs and two anniversary editions. With this single came many promotions and even another tour of Asia. Still this single was quite remarkable selling over 146,000+ copies in its first week, the highest for a female single in 2008. But I really loved how the covers looked, not the whole topless thing, but because it seemed so natural, so beautiful and so serene. Unless another one is released later this year, this will remain the best. Ayumi does it again with this no. 1 anniversary single.
Best Love Single!

Prisoner Of Love – Utada Hikaru
Despite being four to five years younger than a few of the other J-Pop divas, Hikki has broken so many records. And this time she’s won my attention again with this wonderful re-cut single, Prisoner Of Love. This single was used for the drama Last Friends, as both the theme and an insert song. It’s popularity has grown, especially on the digital charts, reaching no. 1 on Itunes Japan, and becoming another signature song from Hikki. This single features one lovely song, full of emotions all about love; and it includes a Quiet Version that features only an orchestra and a new set of vocals. But what really sets it apart from the others is the lyrics, which are so beautiful and emotional. Leave it to Hikki to create such a lovely and heartfelt single.
Best American Sounding Single!

Love Paradox – Leah Dizon
Leave it to an American to have an American sounding single right? Well out of all of the singles, this one sounds the most American, and being from an American artist I guess it’d only make sense. This American style R&B song features some distorted synthed vocals, that sounds pretty good. The English was impressive and the Japanese was straight on. Despite not doing that great on the charts this is definitly one of the best American sounding singles, as of yet anyway. Leah is very cute and very good with her vocals.
Best Cute Lyrics, Morals, & PV Single!

Girigiri HERO – mihimaru GT
This single might look a little strange but it’s good nonetheless and it contains some very cute lyrics, morals, along with a great PV. Now the lyrics are about a person who helps one person, even though they’re a “barely qualified HERO.” It’s really all about how you don’t need a flashy costume to or any powers to be a hero to someone, corny and cheesy but true. With some great lyrics, English and Japanese, and the corny yet true moral, this single is so great. And as for the PV, well it’s so cool! It was one of the top videos on Itunes Japan and it’s no wonder. In the video it features a grown man who helps all kinds of people, even though he’s barely qualified. But in the end, he’s a really great hero. mihimaru GT has outdone themselves with this creative single.
Best Electronica / Techno / Dance Single!

Baby cruising Love / Macaroni – Perfume
After changing producers this group started steadily to gain attention, until finally they released this single which managed to reach no. 3 on the charts. Perfume is well known for their producer Nakata Yasutaka, and their often distorted vocals. And in this single it’s all about distortions, great techno pop and the occasional electronica vocals. But I must say that this single sounds so good, distortions and all. Yasutaka has done it again with these lovely ladies and there fantastic electronica / techno single.
Now for the Best Albums!
Best Dedicated Album!

GUILTY – Ayumi Hamasaki
After countless no. 1 singles and albums Ayumi released GUILTY. Despite this album reaching no. 2 on the charts it did become a very beautiful album. The album was dedicated to a friend of Ayumi’s who passed away earlier in the year and she even wrote a song for her. But the point is that this album was full of emotion and power, but most importantly it was one of the best dedicated albums, but come to think of it I have no clue how many other’s were dedicated to other people. But still this is no. 1!
Best Disappointing Album!

Kingdom – Koda Kumi
Countless promotions were prepared for Kuu-Chan’s latest album, however the album turned out to be a huge disappointment. After Kuu’s controversy the album’s sales seemed to plummet, selling about half as many copies as her previous album. And the quality of the album wasn’t that great. I was expecting so much, but all it was was a huge disappointment.
Best Flop Album!

THE FACE – BoA
BoA might have ruled the world of J-Pop as a princess in the early 2000’s but it seems that as time’s gone by her popularity has faded to an all time low. Her latest album was a prime example of what’s happened in music industry, falling sales. The album itself was rather enjoyable but the sales were anything but that. This album is her lowest selling Japanese studio album, and the singles from this era were a huge disappointment sales wise. Maybe her new tour will push this flop.
Best Popularity Decline Album!

Don’t Stay – Tamaki Nami
This hasn’t been Nami’s year to say the least. After releasing Graduation ~Singles~, her first best album, she began her new era. Now the new era didn’t begin that great, her first single failed to chart in the top 20. Her next single was a moderate success, but the last was a total flop, barely making it to the top 20. But in 2008 she released Don’t Stay, her fourth studio album. With virtually no promotions the album reached number 14, making it her lowest charting album considering her two previous albums had been no. 1 hits. It goes to show you what happens in the world of Japanese idols. One minute you’re a famous teen sensation, the next you’re last year’s model. Hopefully this is only a slow period and her next singles and albums chart better.
Best Repetitive Album!

I LOVED YESTERDAY – YUI
We all know YUI as that artist who sung a few theme songs from the popular anime Bleach. She’s also known for her frequent use of a guitar, whether it be acoustic or electrical. Now I haven’t listened to any of her previous albums but the reviews were generally praising the album.s As for this album, there was anything but praise. Most people, including me, found this album to be so repetitive. The album started out good, but after so many guitar driven songs the album began to lose its flare. You can only use an instrument so many times before it gets old. And another little thing, she hardly ever smiled! And the cover wasn’t that great either sadly.
Best Collaboration Album!

DOLCE – Ami Suzuki
I guess Ami’s the only artist to do so many collaborations besides m-flo but she’s the only one that I’ve reviewed. So she won hands down, and the album was great, and PINK! Anyway even though she’s done so many, it’s because her collaborations were so good that I added her. The singles for this album were very good, and so memorable. And the album itself was so fantastic and pink. From the synth / techno FREE FREE to the lone non-collaboration track if, this album is simply phenomenal. Although it seems that this is her last collaboration album it’s certainly the best.
Best Theme Album!

Lei Aloha – melody.
Only after one single was released did melody. decide to release an album. The result was Lei Aloha and it was darn good result at that. Even though this album didn’t do that well, the most important thing about it was its theme. The theme for this album was Bonds, and the tracks reflect it with both lyrics and music. It was probably her best album to date and her most emotional. What an emotional and profound theme!
Best Electronica / Techno / Dance Album!

GAME – Perfume
From pop idols to Queens of Techno with the help of their producer Nakata, the group rose to popularity. After the release of their single Polyrhythm the steadily began to rise in popularity until they released GAME. GAME is undoubtedly the best electronica / techno / dance album without competition. With some great distorted vocals and superb flashy dance music with fun, energetic beats this album was an easy no. 1 hit and the best techno album.
Best Overall Album!

HEART STATION – Utada Hikaru
While I must admit that I am a little biased towards Hikki there’s no doubt that she made one hell of an album. After two years since her previous album fans were waiting for this album. This phenomenal album contained the child favorite single Boku wa Kuma, the 2nd most downloaded song in the world Flavor of Life, the theme song for a very popular anime movie Beautiful World with a Nissin Cup Noodle CM song Kiss & Cry, and finally the Kao Shampoo CM Stay Gold with the ever popular HEART STATION that was the only song to pass over 1,000 plays on the radio. The album is filled with beautiful songs with profound lyrics and tremendous emotion. One of the songs was so great that it was released as a re-cut single. But this album has such a high quality to it, and that’s why it’s so good. This album has also outsold her previous album, a first for Hikki. And the total physical & digital sales for this album and its songs total over 20 million, a very impressive record.
I hope you all enjoyed the first Best Countdown 2008 G. I know it wasn’t that good this time, but I’ve just been so tired lately it’s almost become a job, rather than a fun activity. But be assured that the next Best Countdown will be much better, and will include some more sections. Thanks for being patient, and I’ll be reviewing albums soon, get ready for First Love.
What’s In An Album Title??? Part 2 June 27, 2008
Posted by Die in Specials.Tags: Ai Otsuka, Amuro Namie, BoA, Koda Kumi, Kumi Koda, Namie Amuro, Otsuka Ai
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Well I hope that you all liked the first part of this article. I had fun writing it and I didn’t have time to finish it so here’s hopefully the last part. This section will cover a little more of BoA and will include Namie Amuro, Koda Kumi, and even Ai Otsuka. So get ready everyone for Part 2.
BoA is back up!

MADE IN TWENTY(20) – BoA
This little number was BoA’s 5th studio album, and yet another no. 1 hit. But what’s a little more interesting was the title. I mean where did the title come from, there’s no title track on the album, so it must be either spur of the moment, or just some title. But I guess this could be spur of the moment, but I think the title’s a little more than that. From the name it’s a little more personal, and there’s a little less restraint. I mean I guess this was to celebrate her 20th birthday, and a way to express her happiness, and how well she has it. This album also features some more R&B oriented tracks, and it’s a little more adult compared to her previous album. I really didn’t like this album that much but I must admit that she did put a little bit of herself into this album so that was nice. Overall though, it’s really to express herself as she has it made in twenty.
Queen of comebacks, Nami is here!

Queen of Hip-Pop – Namie Amuro
This album was considered her “comeback” album as it outsold her previous album, but I really think that PLAY was her comeback, but I won’t get into that. Anyway, this album comes from one on the tracks on the album, the very first one actually. Her previous album was all about her new style and such, this one was more about her defining herself. It’s almost as if she proclaimed herself the queen of her new found style, rather than a novice. I felt that this was a step up from STYLE and it was more edgier and more mature. As for the title track, it was edgy, powerful, and so so addicting. She’s definitely the Queen of Hip-Pop.

STYLE – Namie Amuro
After a three year period without a studio album, and her SUITE CHIC project, she released this album, her first venture into urban music. This album was a real defining album, she shed her pop-idol image and became a sexy, mature, urban adult. No more were her simplistic songs pop, instead she became immersed into the world of R&B and urban music. Despite this album not doing as well, and becoming her lowest selling studio album, it defined Namie as an urban artist, and put her back on track to regaining prominence. As for the title track, really called Namie’s Style, well it was very heavy in urban and hip-hop music. It wasn’t great, but I guess that was Namie for you.
Let’s not forget about the singer/songwriter Ai-Chan!

LOVE PiECE – Ai Otsuka
LOVE PiECE, another one of Ai’s wonderful albums. It was her fourth studio album and another album to include that infamous LOVE in the title. But like her previous albums, there was no title track. But I guess the title is all about PiECE, like from a puzzle. As you can see, the cover is made of six different sections, each a different color piece. There was a photobook with the album that included many photos with six different background and outfits, and each one was used to creat the cover, essentially creating a puzzle with different pieces. And album wise, there were many different genres in this album, each like a puzzule piece adding its own unique touch to the final puzzule, or in this case album.

LOVE COOK – Ai Otsuka
This album’s title was a little more on the personal note, well once you understand how she came up with it. But as always there’s that infamous LOVE part, but this time the second part is COOK. But why is that??? It turns out that her birthday is September 9 (9月9日), and that’s where the whole COOK came from. She revealed on Music Station that her birthday gave the title to the album. Anyway as for the explanation, it turns out that in Japanese 9月9 is read as kukku (クック), which corresponds to COOK. A cute and creative title, Ai-Chan is so cute!
But wait, aren’t we missing someone, like the new diva of AVEX, Kuu-chan.

Kingdom – Koda Kumi
After her best selling studio album and a year of entertaining singles, Kingdom was released. It was thought to sell out like hotcakes after the album was heavily promoted, many advertisements for Kumi, and the fact that there were PVs for every single song. But, due to a little controversy it almost became a flop, selling less than her previous studio album by about half the sales. But there’s no denying that this was a good album, but the real question is where did Kingdom come from. As she hasn’t said anything about it, all you can do is guess. Maybe she thought that she was becoming the next big thing, and that she’d even replace Ayu, making Avex her Kingdom, or even rhythm zone for that matter. And as for the title track, well all we got was a preview, and from that it sounded like a love song with a little jazz. Not much to add I guess, we’ll have to wait and see how the title track plays out in the future.

Black Cherry – Koda Kumi
Black Cherry, this album is what you could consider to be her biggest hit, well studio album wise. It was no. 2 on the yearly charts and it came in no. 1 for 4 straight weeks after its release. This is her best selling studio album to date, and the quality shows. But the real question is where on earth did the title come from. Prior to the album there was one final single released and it was Cherry Girl / Unmei and it was used to promote or push the album as the lead single you could say. And there was even a drama for it, I’m guessing to further promote the album the name Black Cherry was chosen, to go with the Cherry Girl. That’s my theory, but you’re free to voice your own. As for the title track, well it wasn’t released until Kingdom. It was very urban and almost R&B like, point is it was good. There was a lot of English envolved but at the end it got scary, but it did reflect the album’s mood if you wil; it was very new, sensational, and urban , almost pop even.
*DONE*
That concludes What’s In An Album Title??? Part 2. I hope you all enjoyed it, I had a fun time writing it. But before I go, there’are a few more things I’d like to say. One thing that I’ve noticed with the album titles and such is that usually with your songwriters/singers like Hikki, Ayu, and Ai, the titles are a little more personal and a little more thought out. Now that’s not always the case but that’s what it looks like. And as for those that just sing, like Kumi, BoA, and Namie, it seems that usually title’s are chosen for promotions or even just spur of the moment, with no real thought out reasons in some cases. But either way the titles usually reflect something about the artists, whether it be how they are, or even how they’re feeling. Thanks again for reading. Maybe I’ll do a part 3 later in the year, who knows I still have a lot more album titles to discuse with you all.
What’s In An Album Title??? June 25, 2008
Posted by Die in Specials.Tags: Ayumi, Ayumi Hamasaki, BoA, Hamasaki, Hamasaki Ayumi, Hikaru, Hikaru Utada, Hikki, Utada, Utada Hikaru
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This post is somewhat of a filler post I guess, as I don’t feel like reviewing anything today really. But it is a little interesting. And after reading Stereo Love’s blog it made me want to do some post like this. So here it is:
What’s in an album title? This little article will focus on the title of albums, whether it come from a song on the album, or whether it’s just out of the blue; and also what it reveals about the title track and whether it was good or not. The real question however is is it pure driven emotion, just some title, spur of the moment, or perhaps some insight? But either way there’s a reason behind it, whether it’s obvious or not. Now for some artists, the album may come from their company, however absurd that might sound; but for some have more deeper, hidden reasons. But for now, we’ll review some basic reasons, and my thoughts.
First up is Hikki!

Heart Station – Utada Hikaru
Well we all know about this little gem, right? It was Hikki’s 5th Japanese studio album. But more importantly it was named after the song off a single of her previous single. And it’s a very good title. As the lyrics mention receiving frequencies of the heart, it gives the album a personal feel. However, I personally think she was trying to express her feelings threw the music, especially about the divorce with her ex. But I guess it also symbolizes a new beginning for Hikki. Anyway Hikki mentioned that Heart Station was a good name for the album because it was the overall feel. Either way it was a fitting name. And on a last small note, the song was fantastic and one of the best allusions.

Ultra Blue – Utada Hikaru
Originally released as her 4th Japanese studio album this has been the only Japanese album to not have the album name, full name, to come from an song. Anyway, to the title, I’m not sure whether it was actually from emotions or anything, but my guess it was named after her favorite color, which is BLUE, and the name of one of the songs. And when she was asked a question on what her favorite color was she said it was blue, and as for the ultra part, she said that blue sounded so lonely and it didn’t specify a blue, so she then added the ultra, and there you have it. As for the song BLUE, it was pretty good, sweet, and so simple.

Exodus – Utada Hikaru
Hikki’s first full English album, well once she reached stardom. But this album really gave Hikki a chance to express herself. As for the title, like Ultra Blue, it came from a song, or in this case it was a part of the song. In order to make the album, she moved to New York to record it. An exodus is moving from one area from another, often forced to for some reason. Now in her song, Exodus 04, she sings of moving from Tokyo to a new place, New York in real life. The point was this was journey for her in many ways, and it seems to have been successful. I’d like to say that the title wasn’t really just spur of the moment, it was emotional and nice too.
Time for Ayumi!

Secret – Ayumi Hamasaki
Here we have Ayumi Hamasaki’s 8th studio album. After only a few singles, two really, this once mini-album was turned studio album. Now this album is named after one of the last tracks on this album. I personally don’t think that the title track was that phenomenal but it was good, but the album was nothing short of genius. As for the title, well Ayumi stated that she wanted people to feel that they knew her better, like they knew her secret, which is very personal and lovely. I do think that it affected this album a little bit, especially with the first track, mentioning miracles and secrets. Overall, it was an attempt for her to become more well known with her fans, if that’s possible, but it was nice and very personal, go Ayumi!

Memorial address – Ayumi Hamasaki
Well, even though I said album, i think that this mini album would be a good example of what’s in an album title. This was Ayumi’s first mini-album under AVEX, and it’s a pretty darn good one at that. Anyway, this mini-album had a lot of dark inspired and sadder songs featured, most would be added to her latests A BEST 2 albums. But this album was really about how Ayumi was feeling about her father, who left her and her mother. And that’s really a lot of emotion was put into here, especially with forgiveness, Because of You, and finally Memorial address. And it was really moving and very emotion driven and very sad when you think about it. But the title did fit the album in this case.

GUILTY – Ayumi Hamasaki
Guilty was Ayumi’s latest studio album and her latest venture into music, really rock, but music will do. This album was very emotional, especially with the last song being, and considering the album was dedicated to a friend of hers. I have no clue whether or not Ayumi felt guilty, but that was the title track and one of the songs on the album. As for the song, i felt it lacked a lot, emotion, power, and climax, but it made you feel so sad and sorry. And that’s what you feel when you’re guilty, right? I did feel that this was one of her most powerful albums to date. This album was very heart wrenching and very sad once you when hear it all, and the lyrics. You might find yourself feeling a little Guilty with this album and it’s title. But the last track was really what defined the album, rather than the title track.
BoA is up!

THE FACE – BoA
BoA’s 6th Japanese studio album and and another no. 1 album. This album is really different compared to the previous albums above. I mean there was no title track here whatsoever. However, this was a little more expressive. The album contained many different types of genres of music, song wise. And it seemed to be a little more personal for BoA. But it was a chance to know the many faces of BoA, hence the title I think. It was pretty good, but I guess it was spur of the moment. Not much to add besides that.
That concludes this section of What’s In An Album Title??? Check back later for part 2!



























Koda Kumi - REALLY??? You’ve been in J-Pop for how long and you’re still producing shitty singles, consecutively I might add. After her TRICK Era things have pretty much gone down hill. I honestly didn’t care all that much for It’s all Love! it was mediocre at best. As for 3 SPLASH, if it wasn’t ECSTASY it would have been a complete flop, god knows most of us couldn’t stand Hashire! I don’t think that Alive was one of her greatest works either, if it wasn’t for sexy Kuu and Physical thing it would have flopped even more, despite reaching no. 1 on the charts. And at this rate her next single is gonna suck too, all I can say is that Universe better be good.
I doubt I’ll ever review anything from SCANDAL in the future unless they start coming out with some really good singles, but I can honestly say that they impressed me with their single Shoujo S. It’s a rock song, and I’ll admit that I really didn’t like it that much, even when I heard it as the theme song to Bleach, but eventually it grew on me. It’s pretty catchy, a tad bit aggressive, and I love the lyrics, being selfish is quite fun you know.









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